Picture this: Venice, the 15th century. Victoria grows up in a noble but deeply unhappy home. Her mother runs off with a lover, and her father dies of heartbreak, leaving Victoria and her brother adrift. From the start, Victoria is proud, jealous, and convinced she deserves more. When she falls for a dashing count named Berenza, she doesn't just want him—she wants to own him. Her path to securing his love (and later, getting rid of rivals) is paved with terrible choices. And guiding her every step is Zofloya, a Moorish servant whose charisma is as powerful as his advice is deadly.

The Story

It's a spiral of sin. Victoria marries Berenza, but soon grows bored. Enter his noble brother, Henriquez, and his innocent love, Lilla. Consumed by new passion and old envy, Victoria decides Lilla must go. With Zofloya's help—which starts with clever schemes and escalates to what seems like supernatural aid—she orchestrates a campaign of ruin. Kidnapping, disguise, and murder follow. But as Victoria climbs over the bodies of those in her way, she becomes utterly dependent on Zofloya. The question hangs over the last third of the book: Is he just a brilliant, wicked man, or is he something far darker, leading her to a damnation she willingly embraced?

Why You Should Read It

This book is a blast because it doesn't ask you to like Victoria. You get to watch her. Dacre creates a female protagonist who is actively, enthusiastically bad, which was radical for 1806. She's not possessed or tricked at the start; she chooses her path. Zofloya is mesmerizing—you're never quite sure of his game until the very end. The book is a fever dream of passion and punishment, and it moves at a breakneck speed. It's less about subtle moral lessons and more about the thrilling, terrifying ride of giving in to your worst self.

Final Verdict

Perfect for readers who love classic gothic vibes but want a protagonist with more agency (even if it's for evil). If you enjoyed the drama of 'The Monk' or the doomed energy of 'Wuthering Heights,' you'll find a kindred spirit here. It's also a fascinating piece of literary history—a rare early novel where the 'fallen woman' is the one holding the knife. Just be ready for some truly wild plot twists and a main character you'll love to hate.